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Showing posts with label Palestine. Show all posts
Showing posts with label Palestine. Show all posts

Sunday, July 24, 2011

On "Palestinian Chicken"

The "Palestinian Chicken" episode of Curb Your Enthusiasm was interesting in that Larry David's character portrayed the emerging ideology among my generation's Jewish-American population; which is a new, universal liberalism.

Whereas, in the past, Jewish-Americans would define themselves as liberal, left-leaning, Democratic, etc., or whichever synonym you'd like
to use, there was a ceiling when it came to Israel's occupation of Palestine; amongst my generation -- there certainly still exists the aforementioned liberal Zionist -- Jewish youth are exceedingly more outspoken in their criticism of American Israeli policy and Israeli domestic policy. Many young Jews, as referenced in the above Beinart article, even empathize with the plight of the Palestinians.

In the episode, there still existed certain stereotypes (both Jewish and Palestinian) and caricatures; however, I appreciated Larry's treatment of Palestinians as just another ethnicity.

His Jewish friends aggressively denounced the opening of a Palestinian restaurant (Al-Abbas) next-door-to a Jewish deli (Goldblatt's); here, Larry shows his genius by using the Ground Zero Mosque fiasco as a reference point. Larry's friends lambast the opening of a Palestinian restaurant next a "sacred deli," and offer that the restaurant should be at least a mile away. Larry responds, "Hey, this is America, they can do whatever they want!" He not only says they can do whatever they want, but that they should be able to open the restaurant wherever they want.

When Larry's born-again Jewish friend says, "If Rabin can break with Arafat... I can have chicken at this anti-Semitic shit-hole," Larry immediately turns to defend the Palestinians, in his own way, of course. He asks his friend to remove his yarmulke before walking in the restaurant; in my opinion, it's not for the fact that he is wearing a yarmulke, but, rather, how he is wearing it.


He's saying, "I don't like how you are representing Judaism, and, if that's how you want to represent our religion, I don't want you representing it at all."

Despite his obvious flaws, Larry's message seems to be that we shouldn't define ourselves by any certain aspect of our lives-- rather, we should be greater than the sum of our parts.

Larry's friends are certainly close-minded and racist; however, the lead Palestinian character, Shara, plays their counterpart. It's true Hollywood has vilified Arabs for decades upon decades; and it's also true there is no positive, Palestinian alternative to Shara's character (which is my only criticism of the episode), but those holes seem at least partially filled by Larry's Zionist criticism. Because he does not shy away from criticizing Zionists, I find Shara's racist character, at the least, bearable, and, at the most, an honest reflection of a certain portion of the Arab population.

While, in my life, I may have surrounded myself with Arab and Jewish friends who are quite progressive, it is true that racism does exist within the Arab community. Some Arabs immediately assume any Jew they meet is a Zionist. In this way, Shara's character does represent a problem within the Arab community. If we want to be completely honest in our discussion of the conflict, Arabs must acknowledge this. It's something we must work on as a culture. I know too many progressive Jews to allow the "Jew = Zionist" rhetoric to persevere.

Simultaneously, Larry is telling us that there are also problems in the Jewish community. That it is silly for Jews to have such blind, unquestionable support for Israel and Israel's treatment of Palestinians.

The episode only jokes at a solution to the conflict in Israel and Palestine: that sending some of Al-Abbas' chicken to Israel will convince all the settlers to withdraw; but, we shouldn't expect Larry David to offer a solution to the conflict. It's not his job.

It's Always Sunny in Philadelphia did a great, perhaps, even better, job of tackling the conflict, but we'll save that analysis for another post.

For now, what's important is that Larry David is bringing the conflict into the mainstream. He's letting us know it's okay to talk about it, and that we should. Even more importantly, Larry shows us that Jews, Israelis, and Palestinians are human; they have flaws just like everyone else. And, when you accept that we're all human, it's much easier to talk about your differences.

Wednesday, December 8, 2010

"Jazmatazz" Analysis & Meaning


Remember, this is simply my opinion and interpretation (but I'm up for a good debate). But, I would love to talk to Jay Electronica, if possible, and find out more of the meaning behind these lines. Anyway, I'm really diggin' this new Jay Electronica song, so I thought I'd try to break it down a little bit and share what I come up with!

(you can follow him on Twitter @JayElectronica)

First, the lyrics:

"We’ve got some difficult days ahead. But it doesn’t matter with me now. Because I’ve been to the mountaintop. And I don’t mind. Like anybody, I would like to live a long life. Longevity has its place. But I’m not concerned about that... now. I just want to do God’s will. And He’s allowed me to go up to the mountain. And I’ve looked over. And I’ve seen the Promised Land. I may not get there with you. But I want you to know tonight, that we, as a people, will get to the Promised Land. So I’m happy, tonight. I’m not worried about anything. I’m not fearing any man. Mine eyes have seen the glory of the coming of the Lord." – MLK Jr.

Boom, bazz, dash I had break I had to get away
Packed my bags, headed for Greyhound, It was a Monday
Time to start my mission
I felt that burning feeling in my soul, I had to listen
I had this reoccurring dream from the stage in a suit with a fade
I had set the game ablaze and they threw me a parade
I stacked a lil change and took my family out the caves
But I was trapped in the maze like a lab rat
And like at the bottom of the barrel where they keep the crabs at
No Geico, No Afflac
Nothing to fall back on
But the streets where niggas cussed out the police and sold their crack on
Better known as back home
Where they treat the Arabs, and the Spanish, and the Blacks wrong
There he go with that song
You may be tired but I spit what I’m inspired
From the Lord of the worlds cause the Devil is a liar

[Chorus]
Say, Say
I’ve seen the lighting flashing (Yes I did)
And I seen the thunder roar
But you can’t (You can’t keep my down for long)
Cause I’m getting stronger (Cause I keep getting stronger)
Oh yeah (Oh yeah)

(Here we go)
My style is like a shot of Jack Daniels, a baby grand piano
Lightin’ Hopkins smokin’ cigs, strumming on a banjo
The son of man is a son-of-a-gun with hella ammo
The sheriff shooting Bob Marley, John J. Rambo
6 Sextillion, 19 Million
The Holy Pyramids say we all Allah’s children
Voodoo for the pilgrims who bring weapons and conceal them
They silence you with force then indoctrinate the children
Yo Gabba Gabba, Ahmadinjabba
Blow up your apartment if you don’t observe the Sabbath
I look the Devil in his eyes, then say Abracadabra
Then drown him in the mighty light, his brain couldn’t fathom
Scrapping everyday, just like Fight Club
A thriller and a smooth criminal just like Mike was

I love the MLK quote to kick things off and set the tone. He's sending a message to the oppressed people of the world. Also important to note is that this was the last speech Dr. King gave before he died (he was assassinated the next day).

First Verse:
Boom, bazz, dash / I had break I had to get away /
Packed my bags, / headed for Greyhound, It was a Monday /
Time to start my mission /I felt that burning feeling in my soul, I had to listen
"
Just like Gil Scott-Heron, this song is told by an oppressed man who has his own individual story of oppression, but, any oppressed people will be able to connect to his desire to escape. His escape is his music (going on tour), and he borrows Rakim's famous line Start my mission... so we can be sure of his intentions. The last line is Jay's confession to us that his music comes straight from his heart.
I had this reoccurring dream from the stage / in a suit with a fade
I had set the game ablaze / and they threw me a parade
I stacked a lil change / and took my family out the caves
But I was trapped in the maze / like a lab rat
And like at the bottom of the barrel where they keep the crabs at
Jay's use of in-rhymes is phenomenal. Read only the initial phrases and then only the second phrases of each the first four lines and you are told a different story. The initial phrases tell the glory of success and how it affected Jay's self; the second phrases are the social consequences of being successful (some good, some bad). The initial phrases speak more autobiographical, while the second phrases have many interpretations and meanings when understood literally and when understood in social context.


No Geico, No Afflac /
Nothing to fall back on /
But the streets where niggas cussed out the police and sold their crack on /
Better known as back home /
Where they treat the Arabs, and the Spanish, and the Blacks wrong /
There he go with that song /
You may be tired but I spit what I’m inspired /
From the Lord of the worlds cause the Devil is a liar

While he acknowledges his humble roots, the streets of New Orleans, he also realizes: if he fails he will wind up back on those same streets. He also acknowledges the streets as his connection to the oppressed people around the world. While some people may not want to hear the message of unity, he only raps about what the ways God inspires him; in this way, he fights off the Devil using rhymes as his sword.


jay-electronica.jpg



Second Verse
My style is like a shot of Jack Daniels, a baby grand piano /
Lightin’ Hopkins smokin’ cigs, strumming on a banjo /
The son of man is a son-of-a-gun with hella ammo /
The sheriff shooting Bob Marley, John J. Rambo

Jay is influenced by good times, classiness, the original bluesmen and their struggle. What man has become, and is becoming, is violent-- willing to vilify, attack, and murder those who do not conform to societal norms. On a more political level, he is saying man is now aggressively opposed to those asking for universal human rights.

6 Sextillion, 19 Million /
The Holy Pyramids say we all Allah’s children /
Voodoo for the pilgrims who bring weapons an conceal them /
They silence you with force then indoctrinate the children /
Yo Gabba Gabba, Ahmadinjabba /
Blow up your apartment if you don’t observe the Sabbath /
I look the Devil in his eyes, then say Abracadabra /
Then drown him in the mighty light, his brain couldn’t fathom /
Scrapping everyday, just like Fight Club /
A thriller and a smooth criminal just like Mike was /

The weight of the earth is six sextillion tons, the world is huge and vast. (My guess is) The 19 million refers to the number of vacant homes in the United States of America; he is pointing out the irony of these numbers. This final stanza begins by alluding specifically to the conflict in Palestine (though it could, conceivably, be applied to other situations). He begins by saying we are all children of the same God, implying criticism of those who play and play into racial and religious politics. The Voodoo for the pilgrims... line can be applied to several different situations, but I will fit it into Palestinians allusion. These two lines:


Voodoo for the pilgrims who bring weapons and conceal them / They silence you with force then indoctrinate the children

This is a criticism of the illegal Israeli settlements which result in the indoctrination of both Israeli-Jewish and Palestinian children: the children of Israeli settlers will be raised with a false sense of an entitlement while the Palestinian children will be raised yearning for recognition of their entitlement. (I'm still trying to figure out what "Ahmadinjabba," as the lyrics I found online say, or "Ah-madine-jabwa" as he pronounces phonetically, exactly is). He makes a reference to Israeli attacks on Palestinian civilians (maybe more specifically: Operation Cast Lead and the new Israeli loyalty oath).

Jay tells us that his other other weapons are knowledge and intelligence; and he will thoroughly train his weapons everyday until he is held in the same (music) conversation as Michael Jackson. He doesn't claim to be the greatest, but he has the tools and the determination to make it to the top.

Perhaps I'm reading too much into it, but I do know that Jay Electronica is an extremely intelligent human being. Cheers to his success!


Follow me on twitter: @SamaanAshrawi

Tuesday, April 21, 2009

Her Name is Suheir, and She Said I was Cute!

I know it's a bit late, but here's my weekend update!

Thursday:
I drove home from San Antonio and met my dad at his work in Katy; from there we drove straight to the El Dorado Ballroom (during the trip I managed to get my dad into one of my favorite rap groups, Black Star) for the opening night of the Houston Palestinian Film Festival where we saw three amazing slam poetry performances; one was by a woman named Empress, the next was by a man whose name I've forgotten :( and the final, headlining performance was by an amazing poet named Suheir Hammad whom I later found out would be the lead actress in the headlining film of the festival. We were able to meet up with Suheir afterwards and talk. She is an amazing Brooklyn-born, Palesitnian poet and actress. Her thoughts are in the right place and, might I say, she is beautiful! More on that later...

Friday:
It was quite rainy that day, yet I still spent the day doing errands. I got my oil changed, my tires rotated, my amp fixed, and my dash panel radio repaired. And, on top of all that, I got my iPhone replaced and my mother bought me an amazing iPhone case! 

Friday night would be the screening of Annemarie Jacir's amazing movie, Salt of This Sea, at the HPFF (which was held at Rice University). The movie was amazing, that's all I can say...Suheir gave an amazing performance, and Annemarie's script was beautifully written and shot. The film was Palestine's submission for Best Foreign Language Film. Why it didn't receive at least a nomination, I don't know. If you ever get the chance to see it, I strongly encourage you to do so. I'm sure it will eventually make it to DVD, so you have no excuse for not seeing it!

After the movie was over, there was a  reception in the adjacent room; Friday evening, the picture I took with Suheir was less than stellar...so I had been hoping to get a better picture with her the following evening. When I finally made my way over to find her, I swear to you she remembered my name! She told me I better have a good excuse for saying that the picture didn't turn out so well, and then after we took the picture she told me I looked cute :)


Friday evening, my crush on Suheir was reinforced and I found a new Love: Common's album "Electric Circus." I'm still jammin' it this week, it's just so abstract and eccentric. I love the sound. 

Saturday was a boring day of studying, but Saturday evening was nice because Zach came and surprised me with his friends Matt and James. Also, Jill came and hung out with us at Zach's place. It was great to see my best friend Zach :)

Sunday, Sunday was another positive day. I worked on homework for most of the day, and visited my friend Khaled's family with my family in the evening. Khaled wasn't there, but I got to hang out with Khaled's sisters Jawaher and Summer, they are awesome! 

Monday, as I drove back to San Antonio, I received a text from Jill saying that her brother's project (which I directed) had been a huge success! His group received one of the few 100s, and apparently his teacher cried (I'm guessing out of laughter?) when watching the movie.

Thanks for reading :)
Peace and Love,
Sama'an

Saturday, April 11, 2009

Hello, bloggers and blog readers, a little about myself


I'm Sama'an, 
At times I'm a brother, son, friend, cousin, psychologist, political analyst, and DJ. It's also no secret that I'm a joker, a smoker, and a midnight toker. I'm a Palestinian-American, looking for every opportunity to absorb the culture. I want to be fluent in Arabic by year's end. I believe in human rights, civil rights, and Hip-Hop with a message. 

Who are my influences?
Banksy, Beastie Boys, Beatles, Bob Marley, and my parents.

I'm at a crossroads in my life, and I'm not sure what my next move will be; if you're reading, thanks, and I hope you continue to do so.


Peace, Love, and Thanks,
Sama'an